Contact Facing West Shadows Artistic Director, Lydia Greer directly: lydiakgreer@gmail.com

Facing West Shadows: Phantasmagoria
Kanbar Forum, The Exploratorium

Thursday, July 28th, 2022 • 8:00 p.m. Saturday, July 30, 2022 • 11:00 a.m. and 2:00 p.m.
Sunday, July 31, 2022 • 2:00 p.m.

JULY 28th Tickets: AFTER DARK (one evening performance), Thursday, July 28th Purchase tickets here for AFTER DARK: https://www.exploratorium.edu/visit/calendar/after-dark-shine

JULY 30th & 31st Tickets: Saturday July 30th (two daytime performances) and Sunday July 31st (one daytime performance) Purchase tickets here for the 30th & 31st: https://www.exploratorium.edu/visit/calendar/facing-west-shadows-phantasmagoria

Join us for the premiere of Facing West Shadows: Phantasmagoria. Performed by the Bay Area collective Facing West Shadows, the work is a live, multimedia, shadow-theater opera inspired by the Brothers Grimm fairy tale “The Robber Bridegroom.” It incorporates puppetry and shadow play, video projection, stop-motion animation, and live music. Ethereal operatic voice, piano, and clarinet merge with a phantasmagoria of shadows to tell a story about resilience and the power of truth. The premiere brings together two ancient art forms: fairy tales, many of which predate literary records, and shadow puppetry, which uses allegory, drama, music, and the beauty of shadows to tell stories. Ancestors, animals, ecosystems, and communities comprise networks of resistance across space and time in this spellbinding work.

Facing West Shadows: Phantasmagoria was led by Artistic Director Lydia Greer and Theatrical Director Caryl Kientz in collaboration with puppeteer Fred C. Riley III and artist Yawen Chien with musicians, William Sauerland, countertenor, Kylie Stultz-Dessent, clarinet and Andrew Nesler, piano.

Facing West Shadows is a collective of artists, puppeteers, filmmakers, and musicians hybridizing art forms to create magical acts of rebellion as experimental art. Expanding into film, theater, and installation, Facing West Shadows creates surprising experiences for the audience by seamlessly combining old and new technologies and art forms.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

Facing West Shadows: The Endless End

David Pace Gallery, Institute of Contemporary Art San José

On View:
April 1 – August 2022

Facing West Shadows: The Endless End is a cinematic, sculptural installation created by Facing West Shadows at the Institute of Contemporary Art San José. Facing West Shadows: The Endless End illuminates the perpetuation of extinction and survival; the disrupted life cycles of native plants and animals, aquatic systems, and fire ecologies as affected by anthropogenic climate change. The viewer’s attention is guided through projected moving images, hand-made animation, and cast shadows with a multi-dimensional soundscape. Collapsing and expanding time, species will live and die over the span of an hour of looping, overlapping, multichannel and multidirectional projection. In a sculptural environment, our role as animals within a system and as the planet’s apex predator is illuminated.

Image above: Facing West Shadows, The Endless End, 2021, paper sculpture, cast shadows, multiple projections of hand-made stop-motion animation (ink and graphite on yupo, collage, cut paper, found objects and silhouette animation) shadow puppetry and found footage, 30 x 20 ft (variable). Courtesy of the Artists. Photo: Lauren Tabak.

Image above:
Facing West Shadows, The Endless End, 2021, paper sculpture, cast shadows, multiple projections of hand-made stop-motion animation (ink and graphite on yupo, collage, cut paper, found objects and silhouette animation) shadow puppetry and found footage, 30 x 20 ft (variable). Courtesy of the Artists. Photo: Lauren Tabak.

As in proto-cinematic cave paintings and ancient shadow theatre storytelling traditions, Facing West Shadows seeks to understand non-human species and our relationships with them. Among their inspirations are the Bay Area’s own precarious and diverse ecologies and Eadweard Muybridge’s electro-photographic investigation of consecutive phases of animal movements. By weaving multiple moving images of Bay Area ecologies, mycorrhizal networks, fire, and water, Facing West Shadows: The Endless End takes the viewer on a time-based and immersive journey through cycles of ecological and species extinction and sometimes, survival.

About Facing West Shadows
Facing West Shadows (principal members: Lydia Greer (artistic director) and Caryl Kientz (theatrical director) in collaboration with artist Ya Wen Chien is a collective of artists, puppeteers, filmmakers, and musicians hybridizing art forms to create magical acts of rebellion as experimental art that is sustainable in the current gold rush climate of the Bay Area. Facing West Shadows combines analog shadow theatre with original animation, video projection of found footage, and sometimes Opera performed live. Expanding into film, theatre, and installation, Facing West Shadows depicts stories re-imagined with unique visual storytelling to create surprising experiences for the audience by seamlessly combining old and new technologies and art forms.